Introduction

self-portrait--smallEthel Reed had a brief but extraordinary career as a graphic artist in Boston and London during the 1890s. Born in Newburyport, Mass., in 1874, and a protégé of Laura C. Hills, she was largely self-taught as an artist. In 1890 she moved to Boston, where, a few years later, she captured the imagination of the public with a remarkable series of posters for newspapers, magazines, and books; she also illustrated several books and occasionally exhibited her paintings. At the age of twenty-one she found herself being described in the press as the foremost woman graphic artist in America.

In the spring of 1896, after the collapse of her engagement to Philip Hale, another Boston artist, she sailed to Europe and within a few years disappeared completely from public view. What happened to her after the turn of the century has always been regarded as essentially an insoluble problem. My book The Beautiful Poster Lady: A Life of Ethel Reed (Oak Knoll Press, 2013) represents the first successful attempt to unravel the mysteries of her later years.

The aims of this blog are (a) to assemble images of, and information about, all her known published work, (b) to put together a compilation of all the existing images of the artist herself (click on Images of Ethel Reed under Categories at the right), and (c) to report on new information about her life and career as it comes to light.

The Prints and Photographs Division of the Library of Congress has placed images online of a number of her posters, which I have drawn upon in this blog. The National Museum of American History (the Smithsonian Institution) also owns many of the posters (as well as some unpublished work), often with inscriptions by Ethel Reed. I have quoted these inscriptions whenever possible, since they are useful in dating. I am also indebted to the NMAH — particularly to Helena Wright, Curator of Graphic Arts — for permission to reproduce images of some of their posters. I am likewise grateful to two collectors who have generously supplied scans: Mark Samuels Lasner and John Lehner.

I should emphasize that this is a work in progress. If you are curious about which images may be missing because I am still searching for them, click on the “Lacking image” category at the right. I would be happy to hear from collectors and librarians who can supply those images. More generally, I welcome corrections and further information.

— William S. Peterson (wsp@umd.edu)


[“Ethel Reed by Herself” (detail), published in 1895.]

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Ethel Reed exhibition

Poster House (New York) has an exhibition entitled “Ethel Reed: I Am My Own Property” — curated by Angelina Lippert — that will run through 21 August 2022. Lippert writes on the exhibition website: “While contemporary critics have often dismissed her work as cheerful fluff and her talent as less notable than that of her male counterparts, both news articles of the time and her personal correspondence reveal a heavily autobiographical, oftentimes dark and defiant, thread running through her illustrations.”

For an interview with Lippert by Steven Heller, accompanied by many illustrations, see The Daily Heller: Ethel Reed, Poster Woman.

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Talk at the Library of Congress

When The Beautiful Poster Lady was published in the spring of 2013, Mark Dimunation of the Library of Congress asked me to give a talk about Ethel Reed in the Rosenwald Room at the LC. The Library has now released a video of the talk that is available at both the LC website and YouTube.

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Posters in Miniature (1896)

Posters in Miniature

Posters in Miniature, with an Introduction by Edward Penfield (New York: R. H. Russell & Son, 1896.

Includes this unpublished poster design by Ethel Reed.

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“Sail a Boat,” St. Nicholas (1895)

Sail a boat

 “‘Sail a boat?’ Away they go, and which can spin the longer —oh?” St. Nicholas: An Illustrated Magazine for Young Folks 22 (September 1895): 938.

Illustration.

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“Ethel Reed by Herself,” Bookman (1895)

ER by herself

[Detail]

J[ames] M[acArthur], “A Chat with Miss Ethel Reed,” The Bookman (New York) 2 (December 1895): 277–81.

“Ethel Reed. By herself” (p. 277).

[Update, 22 May 2013] Inset into one corner of this illustration is a small photograph of Ethel Reed (photographer unknown):

self-portrait 2jpg

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Bagby — Miss Träumerei (1895)

Miss Traumerei--NYPL

[Photo credit: New York Public Library]

Albert Morris Bagby, “Miss Träumerei”: A Weimar Idyl (Boston: Lamson, Wolffe & Co., 1895).

Poster.

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“Butterfly Thoughts,” St. Nicholas (1894)

Butterfly thoughts

“Butterfly Thoughts,” St. Nicholas: An Illustrated Magazine for Young Folks 21 (June
1894): 669.

Illustration.

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“The Work of Miss Ethel Reed,” International Studio (1897)

Studio 1 Studio 2 Studio 3 Studio 4 Studio 5

[Photo credits: John Lehner]

“The Work of Miss Ethel Reed.” International Studio 10 (1897): 230-36.

These drawings are all described as previously unpublished.

[Update, 23 May 2013: The illustrations have now been added.]

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Penny Magazine (1896)

Penny Magazine (Philadelphia), April 1896.

Poster.

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Footlights (1896)

Footlights: A Weekly Journal for the Theatre-Goers (Philadelphia).

Cover design, 1896.

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Le Gallienne — Quest of the Golden Girl [1897]

Quest poster--MSL

[Photo credit: Mark Samuels Lasner Collection]

Richard Le Gallienne, The Quest of the Golden Girl: A Romance (London and New York: John Lane, 1896).

Poster. (Done for the English edition, which was issued in February 1897.)

 

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Lee — Round Rabbit (1898)

Agnes Lee, The Round Rabbit and Other Child Verse (Boston:
Copeland & Day, 1898).

Endpapers.

 

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“Pierrot religieux,” Sketch (1898)

Pierrot Religieux 2

“Pierrot religieux,” The Sketch 21 (6 April 1898): 463.

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Ethel Reed: photograph by Frances Benjamin Johnston (7)

LC 3

[Photo credit: Library of Congress]

 Photograph of Ethel Reed by Frances Benjamin Johnston, c. January 1896.

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Ethel Reed: photograph by Frances Benjamin Johnston (6)

LC 5

[Photo credit: Library of Congress]

 Photograph of Ethel Reed by Frances Benjamin Johnston, c. January 1896.

 

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Ethel Reed as the consort of King René

King and Queen

A very early image of Ethel Reed as the the consort of King René of Anjou in an amateur theatrical pageant in Boston; the role of King René was played by Bertram Grosvenor Goodhue. This sketch is reproduced from the Boston Daily Globe, 1 April 1893, p. 9.

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“An Introduction,” Yellow Book (1897)

“An Introduction,” Yellow Book 13 (April 1897): 125.

Illustration.

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“A Nursery-Rhyme Heroine,” Yellow Book (1897)

“A Nursery-Rhyme Heroine,” Yellow Book 12 (January 1897): 61.

Illustration.

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“Enfent terrible,” Yellow Book (1897)

“Enfent terrible,” Yellow Book 12 (January 1897): 59.

Illustration.

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McClure’s Magazine (undated)

 McClure’s Magazine.

Poster.

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